介绍:
Telephone Interview with Kazuo Ishiguro
Telephone interview with Kazuo Ishiguro after the announcement of the 2017 Nobel Prize in Literature on 5 October 2017. The interviewer is Adam Smith, Chief Scientific Officer of Nobel Media.
[Kazuo Ishiguro] Hi, hello, Mr. Smith, how are you?
[Adam Smith] Very well. Thank you very much indeed for calling, very kind. Congratulations on the award of the Nobel Prize.
[Kazuo Ishiguro] Yes, thank you. I’m sorry you were kept hanging on. It’s absolute chaos here I’m afraid. There’s suddenly ... a lot of press has turned up and they’re queued up the road.
[Adam Smith] I can imagine. So, yes, your day must have changed in a totally unexpected way. How did you hear this news?
[Kazuo Ishiguro] Well, I was sitting in the kitchen writing an email to a friend and the phone rang. And it started off as not entirely certain. People at my literary agents were watching the live feed come through on the announcement. I don’t think they were expecting it, they were just waiting to hear who won the Nobel Prize this year. And… and so I started to receive calls back to back, and each time we were trying to establish if it was a hoax or if it was fake news, or what it was. And then it started to become more and more certain. By the time the BBC called, I started to take it seriously. But I haven’t actually stopped since then. It’s a bit like the Marie Celeste here – everything’s exactly as it was at about 11 o’clock, or whenever, before the whole thing started. And then it was pandemonium. There’s now people queueing up the street to interview me.
[Adam Smith] So has it sunk in?
[Kazuo Ishiguro] No! No, I don’t think it will sink in for a long time. I mean, it’s a ridiculously prestigious honour, you know, in as far as these kinds of things go. I don’t think you would have a more prestigious prize than the Nobel Prize. And comments I would make, I mean, one is, a lot of that prestige must come from the fact that the Swedish Academy has successfully, I think, kept above the fray of, you know, partisan politics and so on. And I think it’s remained one of the few things that’s respected, whose integrity is respected by many people around the world, and so I think… I think a lot of the sense great…you know, the sense of honour of receiving the Prize comes from the actual status of the Swedish Academy. And I think that’s a great achievement unto itself, over all these years the Swedish Academy has managed to retain that high ground, in all the different walks of life that it…that it honours. And then the other reason it’s a terrific honour for me is because ... you know, I come in a line of lots of my greatest heroes, absolutely great authors. The greatest authors in history have received this Prize, and…and I have to say, you know, it’s great to come one year after Bob Dylan who was my hero since the age of 13. I mean, he’s probably my…my biggest hero.
[Adam Smith] That’s nice company to be in.
[Kazuo Ishiguro] Yeah. I do a very good Bob Dylan impersonation, but I won’t do it for you right now.
[Adam Smith] That’s a pity, I would have liked that. Maybe at least when you come to Stockholm in December, please.
[Kazuo Ishiguro] Yes, I could try that.
[Adam Smith] You must. It’s a funny time in Britain at the moment. Does that place any particular significance for you on receiving the Prize now?
[Kazuo Ishiguro] I think it does. I mean, in fact, just before I picked up the phone to you, I was writing a kind of statement for press release, and I was trying to think what could I say in three lines, and I think it is…the timing is pertinent for me because I feel...you know, I’m nearly 63 years old, I can’t remember a time when we were so uncertain about our values in the Western world. You know, I think we are going through a time of great uncertainty about our values, about our leadership. People don’t feel safe, and…you know…So I do hope that things like the Nobel Prize will in some way contribute to the positive things in the world, to the decent values in the world, and…and that it would, you know, it would contribute to some sense of continuity and decency. Yeah.
[Adam Smith] I suppose what you have been writing about all this time, in a way, is that question of our place in the world, our connection to each other, our connection with the world. That is perhaps the theme you explore the most, do you think?
[Kazuo Ishiguro] Yes, I would say so, I mean, I think I’ve always been...I mean…If I could put it a little bit more narrowly that that, I mean, it’s probably...one of the things that’s interested me always is how we live in small worlds and big worlds at the same time, that we have a personal arena in which we have to try and find fulfilment and love. And…but that inevitably intersects with a larger world, where, you know, politics, or even dystopian universes, can prevail, you know. So I think I’ve always been interested in that. We live in…we live in small worlds and big worlds at the same time and we can’t…we can’t, you know, forget one or the other.
[Adam Smith] Thank you, well, these are things to talk about on a different day, I guess.
[Adam Smith] Yeah.
[Adam Smith] For the moment, you have to work out how you’re going to handle this line of press. Just a last thought – how do you…how do you feel about the deluge of attention you’re about to receive?
[Kazuo Ishiguro] Well, I think...you know, I take it very positively, you know. I mean, while it’s a little unsettling because I had no idea when I woke up this morning that it was going to be anything other than a very ordinary day. I think it’s a great thing that the press, the media, take the Nobel Prize for Literature seriously. I can…you know…I’ll be very alarmed if there was a day when somebody won the Nobel Prize for Literature, nobody…nobody was interested. That…that would suggest that some awful things had happened to the world.
[Adam Smith] A day to celebrate literature has to be a good day.
[Kazuo Ishiguro] Yes, and I think literature can be a great thing, it can be sometimes a force for bad as well. But you know, I think things like the Nobel Prize for Literature exist to try and ensure that it is a force for good.
[Adam Smith] Lovely. Well, thank you very much indeed, and we very much look forward to welcoming you to Stockholm in December.
[Kazuo Ishiguro] Yeah, really looking forward to it. OK, very nice to talk to you, Mr. Smith.
[Adam Smith] Thank you very much, indeed.
[Kazuo Ishiguro] Take care now. Bye.
