介绍:
Now I must explain my reasons for keeping Dolores away. Naturally, at first, when Charlotte had just been eliminated and I re-entered the house a free father, and gulped down the two whiskey-and-sodas I had prepared, and topped them with a pint or two of my "pin," and went to the bathroom to get away from neighbors and friends, there was but one thing in my mind and pulse — namely, the awareness that a few hours hence, warm, brown-haired, and mine, mine, mine, Lolita would be in my arms, shedding tears that I would kiss away faster than they could well. But as I stood wide-eyed and flushed before the mirror, John Farlow tenderly tapped to inquire if I was okay — and I immediately realized it would be madness on my part to have her in the house with all those busybodies milling around and scheming to take her away from me. Indeed, unpredictable Lo herself might — who knows? — show some foolish distrust of me, a sudden repugnance, vague fear and the like — and gone would be the magic prize at the very instant of triumph.
Speaking of busybodies, I had another visitor — friend Beale, the fellow who eliminated my wife. Stodgy and solemn, looking like a kind of assistant executioner, with his bulldog jowls, small black eyes, thickly rimmed glasses and conspicuous nostrils, he was ushered in by John who then left us, closing the door upon us, with the utmost tact. Suavely saying he had twins in my stepdaughter's class, my grotesque visitor unrolled a large diagram he had made of the accident. It was, as my stepdaughter would have put it, "a beaut," with all kinds of impressive arrows and dotted lines in varicolored inks. Mrs. H.H.'s trajectory was illustrated at several points by a series of those little outline figures — doll-like wee career girl or WAC — used in statistics as visual aids. Very clearly and conclusively, this route came into contact with a boldly traced sinuous line representing two consecutive swerves — one which the Beale car made to avoid the Junk dog (dog not shown), and the second, a kind of exaggerated continuation of the first, meant to avert the tragedy. A very black cross indicated the spot where the trim little outline figure had at last come to rest on the sidewalk. I looked for some similar mark to denote the place on the embankment where my visitor's huge wax father had reclined, but there was none. That gentleman, however, had signed the document as a witness underneath the name of Leslie Tomson, Miss Opposite and a few other people.
With his hummingbird pencil deftly and delicately flying from one point to another, Frederick demonstrated his absolute innocence and the recklessness of my wife: while he was in the act of avoiding the dog, she had slipped on the freshly watered asphalt and plunged forward whereas she should have flung herself not forward but backward (Fred showed how by a jerk of his padded shoulder). I said it was certainly not his fault, and the inquest upheld my view.
Breathing violently though jet-black tense nostrils, he shook his head and my hand; then, with an air of perfect savoir vivre and gentlemanly generosity, he offered to pay the funeral-home expenses. He expected me to refuse his offer. With a drunken sob of gratitude I accepted it. This took him aback. Slowly, incredulously, he repeated what he had said. I thanked him again, even more profusely than before.
In result of that weird interview, the numbness of my soul was for a moment resolved. And no wonder! I had actually seen the agent of fate. I had palpated the very flesh of fate — and its padded shoulder. A brilliant and monstrous mutation had suddenly taken place, and here was the instrument. Within the intricacies of the pattern (hurrying housewife, slippery pavement, a pest of a dog, steep grade, big car, baboon at its wheel), I could dimly distinguish my own vile contribution. Had I not been such a fool — or such an intuitive genius — to preserve that journal, fluids produced by vindictive anger and hot shame would not have blinded Charlotte in her dash to the mailbox. But even had they blinded her, still nothing might have happened, had not precise fate, that synchronizing phantom, mixed within its alembic the car and the dog and the sun and the shade and the wet and the weak and the strong and the stone. Adieu, Marlene! Fat fate's formal handshake (as reproduced by Beale before leaving the room) brought me out of my torpor; and I wept. Ladies and gentlemen of the jury — I wept.
大家还在听
