介绍:
Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font.
The firefly wakens; waken thou with me.
Now droops the milk-white peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.
Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.
Now folds the lily all her sweetness up,
And slips into the bosom of the lake.
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.
this sonnet "was first published in 1847, in The Princess: A Medley.
The poem has been set to music several times, including settings by Benjamin Britten, Roger Quilter( Op.3 No. 2, here sung by ian bolstridge, accompanied by julius drake), Ned Rorem, Mychael Danna and Paul Mealor. It also appeared as a song in the 2004 film Vanity Fair (based on Thackeray's novel from 1848), sung by the character Becky Sharp."
Writer and poet Oscar Wilde included a reference to Tennyson's poem in the last paragraph of his essay The Decay of Lying: "The final revelation is that Lying, the telling of beautiful untrue things, is the proper aim of Art. But of this I think I have spoken at sufficient length. And now let us go out on the terrace, where 'droops the milk-white peacock [56/57] like a ghost', while the evening star 'washes the dusk with silver'. At twilight nature becomes a wonderfully suggestive effect, and is not without loveliness, though perhaps its chief use is to illustrate quotations from the poets. Come! We have talked long enough."
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