Chapter 50. The Morrel Family
In a very few minutes the count reached No. 7 in the Rue Meslay. The house was of white stone, and in a small court before it were two small beds full of beautiful flowers. In the concierge that opened the gate the count recognized Cocles; but as he had but one eye, and that eye had become somewhat dim in the course of nine years, Cocles did not recognize the count.
The carriages that drove up to the door were compelled to turn, to avoid a fountain that played in a basin of rockwork(假山;岩石),—an ornament that had excited the jealousy of the whole quarter, and had gained for the place the appellation of The Little Versailles. It is needless to add that there were gold and silver fish in the basin. The house, with kitchens and cellars below, had above the ground floor, two stories and attics. The whole of the property, consisting of an immense workshop, two pavilions at the bottom of the garden, and the garden itself, had been purchased by Emmanuel, who had seen at a glance that he could make of it a profitable speculation. He had reserved the house and half the garden, and building a wall between the garden and the workshops, had let them upon lease with the pavilions at the bottom of the garden. So that for a trifling sum he was as well lodged, and as perfectly shut out from observation, as the inhabitants of the finest mansion in the Faubourg St. Germain.
The breakfast-room was finished in oak; the salon in mahogany, and the furnishings were of blue velvet; the bedroom was in citronwood and green damask(花缎;锦缎). There was a study for Emmanuel, who never studied, and a music-room for Julie, who never played. The whole of the second story was set apart for Maximilian; it was precisely similar to his sister’s apartments, except that for the breakfast-parlor he had a billiard-room, where he received his friends. He was superintending the grooming of his horse, and smoking his cigar at the entrance of the garden, when the count’s carriage stopped at the gate.
Cocles opened the gate, and Baptistin, springing from the box, inquired whether Monsieur and Madame Herbault and Monsieur Maximilian Morrel would see his excellency the Count of Monte Cristo.
“The Count of Monte Cristo?” cried Morrel, throwing away his cigar and hastening to the carriage; “I should think we would see him. Ah, a thousand thanks, count, for not having forgotten your promise.”
And the young officer shook the count’s hand so warmly, that Monte Cristo could not be mistaken as to the sincerity of his joy, and he saw that he had been expected with impatience, and was received with pleasure.
“Come, come,” said Maximilian, “I will serve as your guide; such a man as you are ought not to be introduced by a servant. My sister is in the garden plucking(摘;拔) the dead roses; my brother is reading his two papers, la Presse and les Débats, within six steps of her; for wherever you see Madame Herbault, you have only to look within a circle of four yards and you will find M. Emmanuel, and ‘reciprocally,’ as they say at the Polytechnic School.”
At the sound of their steps a young woman of twenty to five-and-twenty, dressed in a silk morning gown, and busily engaged in plucking the dead leaves off a noisette(榛子;榛果) rose-tree, raised her head. This was Julie, who had become, as the clerk of the house of Thomson & French had predicted, Madame Emmanuel Herbault. She uttered a cry of surprise at the sight of a stranger, and Maximilian began to laugh.
“Don’t disturb yourself, Julie,” said he. “The count has only been two or three days in Paris, but he already knows what a fashionable woman of the Marais is, and if he does not, you will show him.”
“Ah, monsieur,” returned Julie, “it is treason in my brother to bring you thus, but he never has any regard for his poor sister. Penelon, Penelon!”