After watching Baz Luhrmann's "The Great Gatsby", I was convinced once again of the greatness of the title character Jay Gatsby, the writer F. Scott Fitzgerald and the actor Leonardo DiCaprio. But one question remained: where is the part where Gatsby says, "Her voice is full of money". It is an important statement in Fitzgerald's original novel and without it the movie is only half complete. As a result, Gatsby, despite all his charisma and positive hopes, is reduced to being just a simple-minded, nice old sport.
To a certain extent, Baz Luhrmann was the best candidate to adapt the Great American novel into a movie, and he is by far the most successful. I can think of no-one else who could better recreate the kind of lavishness portrayed in the novel with regards to Gatsby's mansion and the character of Daisy Buchanan. But with brilliant colors and the anachronistic Jay-Z and Beyonce music, Luhrmann was only able to deliver the sensationalism related to the parties at the mansion; the more philosophical discourse on the American dream and disillusionment in general is carefully sidelined in Luhrmann's script. Luhrmann's only attempt at broaching this aspect is to introduce narrator Nick as a patient in a sanitarium, an interesting reference to the author's own life experience.
Like "Moulin Rouge!", "The Great Gatsby" is immensely colorful with well designed costumes and settings. But all cast members seem to have been squeezed out of the picture by the sensual aspect of the movie, with the exception of Leonardo DiCaprio, who appears half an hour into the story but still manages to impress an anticipating audience. With a mellowed appearance and manners, the 38-year-old actor creates the air of a young, aspiring youth. This is not prescribed in the novel, but still fits Luhrmann's simplified interpretation.
Carey Mulligan could have been an authentic Daisy if the script allowed for a deeper study of her character. Australian Elizabeth Debicki is physically attractive, but she lacks the air of a proud female golf player in the 1920s and her appearance is all too fleeting. Tobey Maguire's boyish look is compatible with a fledgling banker on Wall Street, but when surrounded by Gatsby's party guests he suddenly finds too much wantonness in his big eyes. Otherwise, his portrayal as the narrator and depressed mental patient is fair enough.
To sum up, Baz Luhrmann has delivered a decent adaptation of the great American novel, with emphasis on the extravagant life of Gatsby. But unfortunately, Gatsby himself couldn't care less about it and neither does a mature reader. Hopefully the Chinese moviegoers will appreciate Luhrmann's style; after all, they seem to have had a bit of fun even with "Tiny Times".